'Ultimately, it's all about changing the texture, wrinkles, color depth, scale, and even the silhouette, and increasing the information density so that it can be interpreted as a beautification rather than a design change (but it's actually been heavily rearranged),' the Director wrote. He follows that up by detailing how designing a proper classic costume is not just making a higher resolution version of what was once there. Even if the texture of the clothes is improved, the plain feeling remains strong, so after… - Katsuhiro Harada July 11, 2023 This 90's Outfit was designed for a generation (PSX) with very little 'information density', so it would feel quite unsatisfactory to just make it HD to match the current graphics level. (In the end, it is necessary to make a large arrangement to match the 'beautification that is happening in the brain', and it is not a simple matter of reprinting the old costume).'

'Even if the texture of the clothes is improved, the plain feeling remains strong, so after all, a large design arrangement is required.Īnd In many cases, over the course of many years, people have developed a beautification that is far from the original image in their minds. 'This 90's Outfit was designed for a generation (PSX) with very little 'information density', so it would feel quite unsatisfactory to just make it HD to match the current graphics level,' wrote Harada on Twitter.

Moreover, the costume we all picture in our minds is a bit different as to what they actually were for pretty simple polygons and textures. In his first post responding to a fan asking for Kazuya, Jun and Jin's old PlayStation 1 era costumes, Harada explains how they were not made with the same detail orientation of modern standards since they had to meet the graphical confines of system limitations.

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